A modern hotel is no longer just a place to spend the night – it has become a space of experiences, emotions, and storytelling. This idea guided the team behind the design of the Mercure Tallinn hotel, whose interiors were created by Aure Studio from Warsaw and enriched with artistic installations by Edyta Barańska (Barańska Design)

When you move abroad, you quickly learn which home comforts actually matter. It’s not the fancy kitchen tools or perfectly organized closets you miss most — it’s comfort. Privacy. The ability to feel at ease in a space that might not be yours forever, but needs to feel like home right now.

‘Architecture and space, both have no boundaries. But somewhere these systems must intersect. I think we are just at the beginning of a glorious endeavour. These are such ambitious tasks - from training to international dialogue - ICM ARCH is solving, creating the basis for breakthrough projects’.

Dividing the site into three sections with a central “mobility zone” and utilizing the surrounding zones for services is an intriguing and functional approach. This layout strikes a balance between recreation and accessibility, offering a well-rounded experience for visitors.

This apartment is the result of a decision to combine two different spaces into one, fully adapted to the needs and desires of our client. Our client, accustomed to the luxury and comfort of a private house, wanted a more modern look for the apartment but was not ready to completely give up classic elements.

In the heart of the Atacama Desert, Hotel Zanura "Flower of Silence" was born, a sculptural hotel inspired by the desert flower, a natural phenomenon that transforms aridity into ephemeral beauty.

Customer addressed ART-UGOL Design and Architecture Studio with a request to design an apartment for a family with a small child. Her wish was to make the space as stylish as possible but keeping the balance between contrasting materials, in other words – accent enough, but not patchy.

The Hardin School District aimed to create a new facility for its alternative high school program, which had been operating in a modular building across from the main high school campus. Cushing Terrell’s design approach focused on uniting distinct groups under one roof: four learning centers (representing “the students”)