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Central Congress Podgorica by CAMBYSESOFFICE

Project name:
Central Congress Podgorica
Architecture firm:
CAMBYSESOFFICE
Location:
Podgoritsa, Montenegro
Tools used:
AutoCAD, Autodesk 3ds Max, V-ray, Adobe Photoshop, Autodesk Maya
Principal architect:
Abolfazl Malaijerdi
Design team:
Abolfazl Malaijerdi
Built area:
13500 m²
Site area:
17100 m²
Design year:
2025
Completion year:
2030
Collaborators:
Visualization:
Abolfazl Malaijerdi
Client:
Montenegrin Municipality
Status:
Concept - Design
Typology:
Cultural Architecture

“A Contemporary Cultural Ensemble for Podgorica”

The proposed design for the Podgorica Convention and Exhibition Center is deeply rooted in the cultural heritage of Montenegro. At the heart of the concept lies an architectural metaphor: the Gusle—a traditional one-stringed instrument that embodies not only music, but also oral history, collective memory, and national identity.

Form as Narrative

The project unfolds through three circular volumes, each assigned to a distinct functional program:

- Congress Block (Radius: 43 m)

- Exhibition & Events Block (Radius: 34 m)

- Service & Retail Block (Radius: 26 m)

Functional Logic & Zoning

Congress Block (3–4 floors): comprising a large amphitheater (2,600 m²), multiple conference halls (1,500 m²), administrative offices (1,200 m²), and support facilities (330 m²). Its vertical prominence establishes it as the key landmark element.

These forms are not arbitrarily composed; they are an abstract reflection of the anatomy of the Gusle. The Congress Block, the tallest and most prominent, represents the hollow carved bowl of the instrument—the resonant chamber that amplifies the voice of a nation. The Exhibition Block, positioned at the center, symbolizes the stretched membrane—a surface of gathering, transmission, and performance. The compact Service & Retail Block evokes the neck of the Gusle—the tangible point of contact with the storyteller’s hand.

Geometry as Principle

The circular geometry carries both symbolic and functional weight: it is inclusive, non-hierarchical, and democratic. This form ensures equal accessibility, optimal spatial distribution, and architectural clarity. The radial planning naturally guides zoning, facilitates intuitive navigation, and provides generous proportions for hosting large-scale cultural events.


By Alfredo Gonzalez

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