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Recreational and Residence Complex by Free Form Land

Project name:
Recreational and Residence Complex
Architecture firm:
Free Form Land
Location:
Shiraz, Iran
Tools used:
Autodesk 3ds Max, Lumion, Adobe After Effects
Principal architect:
Ashkan Nikbakht, Babak Nikbakht, Maryam Darabi
Design team:
Built area:
Site area:
430,000 m²
Design year:
2023
Completion year:
Collaborators:
Ashkan Nikbakht, Maryam Darabi, Hiva Bamdadi, Faraz Kashani, Ali Basiri
Visualization:
Free Form Land
Client:
Private
Status:
Concept - Design
Typology:
Hospitality › Recreational and Residence Complex

Free Form Land: Nowadays, a major part of tourism consists of recreational trips of ordinary people who bear the costs of tourism in order to use the facilities and gifts of different regions of the country and get pleasure.

Due to its proximity to three world touristic places, namely Persepolis, Naghse Rostam and Pasargad, the site in question has a very suitable attraction for accommodation and recreation.

Every day, billions of dollars are spent on tourism in the world so that people can experience each other's civilizations, beliefs and cultures closely.

This project, in line with the importance of the tourism industry as the most income-generating industry in the world in the 21st century, pursues its goals in creating a sustainable environment (sustainability in various fields).

Architectural forms and spaces have implicit concepts, accompanying values and symbolic content that are subject to the cultural and historical roots of the people of a land and can change with the passage of time.

In this project, the general structure of the graphics and the layout of the events of the physical program are formed and based on the seven cities of the "Wadi" region of Altair Attar, which is the story of the journey of the chickens (people) under the guidance of the guide to reach the final destination (Quaff mountain).

The idea was that the architectural stains not only form a sevenfold objectivity on this platform, but also write a concept and a narrative behind it.


By Liliana Alvarez

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