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Parque de la Paz “Kevin Cordón”, Aldea El Hato, Zacapa, Guatemala by Luis Pedro Cifuentes

Project name:
Parque de la Paz “Kevin Cordón”
Architecture firm:
Luis Pedro Cifuentes
Location:
Aldea El Hato, Zacapa, Guatemala
Photography:
Alejandro de León
Principal architect:
Luis Pedro Cifuentes
Design team:
Luis Pedro Cifuentes
Collaborators:
Henry Barascout, Vivian Wilchez, Ana Isabel Barquín, Andrea Aguilera, Marlen Payés, América López, Ramón Archila, María José Figueroa
Built area:
16,500 m² / 177,604.52 ft²
Site area:
17,800.00 m² / 191,597.61 ft²
Design year:
2021
Completion year:
2023
Interior design:
Landscape:
Javier Penados
Civil engineer:
Structural engineer:
Manuel Rosada
Environmental & MEP:
Water systems Engineer: Manuel Ávila; Electrical Engineer: Erick Morales
Lighting:
Construction:
Ministerio de Cultura y Deportes
Supervision:
Ministerio de Cultura y Deportes
Visualization:
Tools used:
Material:
Budget:
Client:
Ministerio de Cultura y Deportes
Status:
Completed
Typology:
Sports Architecture › Leisure Architecture, Cultural Architecture

Luis Pedro Cifuentes: The Parque de la Paz Kevin Cordón is an urban space for sports, recreation, and cultural purposes located in the village of El Hato, Zacapa Department, serving the population of Zacapa City, Guatemala. The project’s philosophy is based on the conceptual representation of Mayan culture, integrated into contemporary architecture and society.

Its main building is the Pavilion, which represents culture and recreation through spaces comprising a library, classrooms for art, painting, and sculpture academies, a gallery for exhibitions of Mayan pieces integrated with the exterior, where a replica of Stela “E” from Quiriguá—the tallest monolithic block in the Mayan World—was sculpted; as well as services such as a cafeteria and an administrative office. Its design represents Mayan architecture through ceremonial platforms, characterized by their sobriety, based on geometry and materials.

The Pavilion’s architectural plan is based on geometric lines inspired by Mayan numerals (zero, bars, and dots), combining the curves of the front façade, which represent zero; the straight lines of the rest of the building’s volume, which represent the bars; and the circular fragment that connects the volumes of the south-facing façade, which represents the dot. On the pavilion’s eastern side, there is a staircase that connects to the recreational terrace. Three benches were designed on it, representing the bars and the dot.

The park complex is divided into two platforms, representing Mayan urbanism due to its topographical adaptation. The platforms are connected by a sectioned bleacher along the natural slope, opening onto the soccer field and complemented by three elements located according to the cardinal points and their Mayan representation through colors: to the north is the Mayan ball game monument, identified with white mosaic; to the east is the façade of the soccer field locker room, identified with red perforated mesh; to the west is the open-air theater with its vertical element representing a volcano, identified with black mosaic; and to the south, the Sculpture Plaza, and on the Pavilion terrace, the three benches identified with yellow mosaic, are located to integrate the two platforms.

The rest of the complex is made up of green areas and sports and recreational areas: an outdoor gym; a gym for senior citizens; recreational games for youth and adults; and a children’s playground. All the spaces are connected by a blue synthetic jogging track representing the rivers and lakes of Guatemala.


By Liliana Alvarez

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